- #Adobe premiere 6.0 tutorials for mac#
- #Adobe premiere 6.0 tutorials mac os#
- #Adobe premiere 6.0 tutorials pro#
If you’ve never used it, the Pen Tool can be a little challenging at first, but it allows for the sort of drawing precision that hasn’t been seen before in an editing application titler. The Title Designer also incorporates the classic Adobe pen tool that Photoshop and Illustrator users will instantly recognize. Font styles that you grow particularly found of can be saved as well in custom “style libraries.”įigure 4: The Title Designer allows you to manipulate text in an environment worthy of the developers of Photoshop and Illustrator. You can save your own templates as well - a boon for anyone who’s ever spent the day adding lower thirds to an hour-long documentary or creating matching lead titles for 20 web video clips.
(Notice a common thread here?) As a result, I’ve always found it frustrating to build titles in editing applications - the tools are often clumsy and simplified to the degree that I feel I’ve been sent in a time tunnel back to 1988 and am actually using MacPaint.Īdobe Premiere’s new Title Designer is everything you’d expect from Adobe - at last! It’s sophisticated and elegant yet remains easy to use with a set of pre-built templates (see figure 4). Like many video-editing-application users, I also do a fair amount of work with standard graphics applications like Adobe Photoshop and Adobe Illustrator, not to mention Adobe After Effects.
#Adobe premiere 6.0 tutorials pro#
(At press time, the popular Apple Final Cut Pro cannot send out unrendered realtime DV effects via FireWire.)įigure 3: If you’re working with DV, Premiere’s new DV Device Control Options dialog box gives you added control over your video deck or camcorder. You can preview on your computer screen only or preview “to hardware” which means it’ll send the video out through the FireWire cable and into whatever digital video peripherals you’re using. Playing back DV video via FireWire can be a bit quirky, but Premiere’s real-time DV preview lets you take control (see figure 2). You’ll also need a video capture card to get video into your computer by means other than FireWire. If the draft resolution isn’t good enough on your computer, you can get real-time playback the old-fashioned way - by adding a real-time video capture board to your system, but before you buy, check out Adobe’s list of certified video capture cards available at their website. It did indeed work, albeit at a draft resolution.
It’s always nice when a new feature is implemented in such a way that users with older computers still get to reap some of the benefits, so I was pleasantly surprised when I tested the real-time DV effects processing on my G3 laptop, which does not meet the requirements for DV real-time preview.
#Adobe premiere 6.0 tutorials mac os#
Premiere 6.5 is compatible with either Mac OS 9.2.2 or OS X v.10.1.3 and with Windows 98 Second Edition, Windows Millennium Edition, Windows 2000, or Windows XP.
#Adobe premiere 6.0 tutorials for mac#
(Click here for info on DV media storage calculations.) Other requirements include QuickTime 5.02 or higher for Mac users, a CD-ROM drive, and 600 MB of disk space for the installation, and at least a 256-color video display. You’ll also need a dedicated media drive that has enough room to hold your video files and one that is fast enough for real-time DV playback, which requires a minimum sustained data rate of 5 MB/sec.
RAM and processing power are the keys to getting the best performance from Premiere 6.5, so try to give it what it wants. Premiere 6.5 can run on a Mac G3 with 64 MB of application RAM or a 500 MHz Intel Pentium III with 128 MB of system RAM, but you’ll need more than that to get robust realtime performance - a G4 Mac with at least 128 MB of application RAM or an 800 MHz Pentium III with at least 256 MB of system RAM. Nowadays, cuts-only real-time editing is a given and thanks to faster CPU processing speeds, multiple layers of real-time effects unassisted by hardware add-ons are also quickly becoming the norm for FireWire-based DV systems. Real-time editing is possibly one of the most important features an editing system can offer: The ability to try out lots of variations on a cut is key to successful editing and real-time processing gives editors the freedom to use their imaginations without the regret of a wasted render. With version 6.5, Adobe Premiere continues to answer to end users’ wishes by hopping on the real-time DV bandwagon. More after the jump! Continue reading below↓įree and Premium members see fewer ads! Sign up and log-in today.
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